Description
The Jazz Blues Workbook: The Blues as Played by Jazz Musicians
If you want to play the blues with a jazz approach, you´ll find in this book a step by step roadmap to play the most common harmonic progressions found in the jazz blues idiom.
The workbook follows the sequence of the rest of the workbooks of the series: building melodic lines starting with melodic patterns, combine them with syncopated rhythmic patterns and articulations and add the most important element: swing.
This workbook includes models and templates to write, correct yourself, and improve memorization.
The exercises included in the workbook can be played over play alongs and the contents are related to the rest of the Jazz Language Workbooks series.
What you will find in this book:
1. Dominant blues.
Resources.
Building melodic lines.
Melodic lines over dominant jazz blues standards.
2. Minor blues.
Resources.
Building melodic lines.
Melodic lines over minor jazz blues standards.
3. Major blues.
Resources.
Building melodic lines.
Melodic lines over major jazz blues standards.
250 pages.
175 exercises.
30 models and templates.
4 listening guides with 300 jazz blues tunes.
Scale options over the dominant, minor and major blues.
Melodic lines with melodic patterns, syncopated rhythmic patterns and articulations.
Major and minor (blues) pentatonic scales, bebop scales, chromatics, harmonic paradigms, chord families.
Blues forms: 8, 12 and 16 bar blues, blues with bridge.
Contents
1. Dominant blues
Dominant blues in C: harmonic paradigm -model-
Dominant blues in C: harmonic paradigm -template-
Dominant blues: harmonic evolution
Dominant blues in C: harmony -model-
Dominant blues in C: harmony -template-
Dominant blues in C: scale options -model-
Dominant blues in C: scale options -template-
Dominant blues in C: chord tones and tensions -model-
Dominant blues in C: chord tones and tensions -template-
Dominant blues in C: tensions -model-
Dominant blues in C: tensions -template-
Basic syncopated rhythmic patterns
Dominant blues in C: basic syncopated rhythmic patterns
Dominant blues in C: roots with syncopated rhythmic patterns and articulations
Dominant blues in C: thirds with syncopated rhythmic patterns and articulations
Dominant blues in C: fifths with syncopated rhythmic patterns and articulations
Dominant blues in C: sevenths with syncopated rhythmic patterns and articulations
Dominant blues in C: ninths with syncopated rhythmic patterns and articulations
Dominant blues in C: elevenths with syncopated rhythmic patterns and articulations
Dominant blues in C: thirteens with syncopated rhythmic patterns and articulations
Dominant blues in C: movement between chords. Root
Dominant blues in C: movement between chords. Third
Dominant blues in C: movement between chords. Fifth
Dominant blues in C: movement between chords. Seventh
Dominant blues in C: movement between chords. Ninth
Dominant blues in C: movement between chords. Eleventh
Dominant blues in C: movement between chords. Thirteenth
Dominant blues in C: movement between chords combinations
Dominant blues in C: movement between chords combinations with syncopated rhythmic patterns and articulations
Dominant blues in C: movement between chords with arpeggiated chords
Dominant blues in C: movement between chords with arpeggiated chords with syncopated rhythmic patterns and articulations
Dominant blues in C: scales -model-
Dominant blues in C: scales -template-
Dominant blues in C: scales with syncopated rhythmic patterns and articulations
Dominant blues in C: scales with chromatics
Dominant blues in C: arpeggios -model-
Dominant blues in C: arpeggios -template-
Dominant blues in C: arpeggios with syncopated rhythmic patterns and articulations
Dominant blues in C: arpeggiated chords -model-
Dominant blues in C: arpeggiated chords -template-
Dominant blues in C: arpeggiated chords with syncopated rhythmic patterns and articulations
Dominant blues in C: arpeggiated diatonic chords
Dominant blues in C: arpeggiated diatonic chords with syncopated rhythmic patterns and articulations
Dominant blues in C: arpeggios and arpeggiated chords with chromatics
Dominant blues in C: chord + scale -model-
Dominant blues in C: chord + scale -template-
Dominant blues in C: chord + scale with syncopated rhythmic patterns and articulations
Dominant blues in C: melodic patterns in thirds
Dominant blues in C: melodic patterns with formulas I
Dominant blues in C: melodic patterns with formulas II
Dominant blues in C: melodic patterns with formulas with syncopated rhythmic patterns and articulations
Dominant blues in C: melodic pattern combinations
Dominant blues in C: melodic pattern combinations with syncopated rhythmic patterns and articulations
Dominant blues in C: chromatics
Dominant blues in C: chromatics with syncopated rhythmic patterns and articulations
Dominant blues in C: major (blues) pentatonic scales
Dominant blues in C: major (blues) pentatonic scales with syncopated rhythmic patterns and articulations
Dominant blues in C: major pentatonic scales in groups of four
Dominant blues in C: major pentatonic scales with rhythmic displacement
Dominant blues in C: minor (blues) pentatonic scales
Dominant blues in C: minor pentatonic scales in groups of four
Dominant blues in C: minor pentatonic scales with rhythmic displacement
Dominant blues in C: pentatonic scale combinations
Dominant blues in C: pentatonic scale combinations with syncopated rhythmic patterns and articulations
Dominant blues in C: pentatonic scales in thirds
Dominant blues in C: pentatonic scales with chromatics
Dominant blues in C: superimposition with major and minor (blues) pentatonic scales
Dominant blues in C: bebop scales
Dominant blues in C: bebop scales with syncopated rhythmic patterns and articulations
Dominant blues in C: bebop scales with chromatics
Dominant blues in C: bebop scales with melodic patterns
Dominant blues in C: bebop scales with rhythmic displacement
Dominant blues in C: phrasing
Dominant blues in C: building melodic lines I
Dominant blues in C: harmonic variations. Secondary dominant chords
Dominant blues in C: harmonic variations. Extended dominant chords
Dominant blues in C: harmonic variations. Substitute dominant chords
Dominant blues in C: harmonic variations. Modal interchange
Dominant blues in C: harmonic variations. Passing diminished chords
Dominant blues in C: harmonic variations. Tournarounds -model-
Dominant blues in C: building melodic lines II
Dominant blues in C: building melodic lines III
Dominant blues in F: building melodic lines III
Dominant blues in Bb: building melodic lines III
Dominant blues in D: building melodic lines III
Dominant blues in G: building melodic lines III
Dominant blues: transpositions
Dominant blues in F: harmony -model-
Dominant blues in Bb: harmony -model-
Dominant blues in D: harmony -model-
Dominant blues in G: harmony -model-
Dominant blues in F: tensions -model-
Dominant blues in Bb: tensions -model-
Dominant blues in D: tensions -model-
Dominant blues in G: tensions -model-
Dominant blues in F: scale options -model-
Dominant blues in Bb: scale options -model-
Dominant blues in D: scale options -model-
Dominant blues in G: scale options -model-
Dominant blues in F: scales -model-
Dominant blues in Bb: scales -model-
Dominant blues in D: scales -model-
Dominant blues in G: scales -model-
Dominant blues in F: major (blues) pentatonic scales -model-
Dominant blues in Bb: major (blues) pentatonic scales -model-
Dominant blues in D: major (blues) pentatonic scales -model-
Dominant blues in G: major (blues) pentatonic scales -model-
Dominant blues in F: minor (blues) pentatonic scales -model-
Dominant blues in Bb: minor (blues) pentatonic scales -model-
Dominant blues in D: minor (blues) pentatonic scales -model-
Dominant blues in G: minor (blues) pentatonic scales -model-
Dominant blues in F: bebop scales -model-
Dominant blues in Bb: bebop scales -model-
Dominant blues in D: bebop scales -model-
Dominant blues in G: bebop scales -model-
2. Minor Blues
Minor blues in C: harmonic paradigm -model-
Minor blues in C: harmonic paradigm -template-
Minor blues: harmonic evolution
Minor blues in C: harmony -model-
Minor blues in C: harmony -template-
Minor blues in C: scale options -model-
Minor blues in C: scale options -template-
Minor blues in C: basic syncopated rhythmic patterns
Minor blues in C: tensions -model-
Minor blues in C: movement between chords. Root
Minor blues in C: movement between chords combinations
Minor blues in C: movement between chords with arpeggiated chords
Minor blues in C: scales -model-
Minor blues in C: scales -template-
Minor blues in C: scales with chromatics
Minor blues in C: arpeggios -model-
Minor blues in C: arpeggios -template-
Minor blues in C: arpeggiated chords -model-
Minor blues in C: arpeggiated chords -template-
Minor blues in C: arpeggiated diatonic chords
Minor blues in C: arpeggios and arpeggiated chords with chromatics
Minor blues in C: chord + scale -model-
Minor blues in C: melodic patterns in thirds
Minor blues in C: melodic patterns with formulas I
Minor blues in C: melodic patterns with formulas II
Minor blues in C: chromatics
Minor blues in C: major and minor (blues) pentatonic scales -model-
Minor blues in C: superimposition with major and minor (blues) pentatonic scales
Minor blues in C: bebop scales
Bebop scales: scale options over the minor II-V-I progression -model-
Minor blues in C: building melodic lines I
Minor blues in C: harmonic variations. Secondary dominant chords
Minor blues in C: harmonic variations. Substitute dominant chords
Minor blues in C: building melodic lines II
Minor blues in C: building melodic lines III
3. Major Blues
Major blues in C: harmonic paradigm -model-
Major blues in C: harmonic paradigm -template-
Major blues: harmonic evolution
Major blues in C: harmony -model-
Major blues in C: harmony -template-
Major blues in C: scale options -model-
Major blues in C: scale options -template-
Major blues in C: basic syncopated rhythmic patterns
Major blues in C: tensions -model-
Major blues in C: movement between chords. Root
Major blues in C: movement between chords combinations
Major blues in C: movement between chords with arpeggiated chords
Major blues in C: scales -model-
Major blues in C: scales with chromatics
Major blues in C: arpeggios -model-
Major blues in C: arpeggiated chords -model-
Major blues in C: arpeggios and arpeggiated chords with chromatics
Major blues in C: chord + scale -model-
Major blues in C: melodic patterns in thirds
Major blues in C: melodic patterns with formulas I
Major blues in C: melodic patterns with formulas II
Major blues in C: chromatics
Major blues in C: major (blues) pentatonic scales -model-
Major blues in C: minor (blues) pentatonic scales -model-
Major blues in C: superimposition with major and minor (blues) pentatonic scales
Major blues in C: bebop scales
Major blues in C: building melodic lines I
Major blues in C: harmonic variations. Secondary dominant chords
Major blues in C: harmonic variations. Extended dominant chords
Major blues in C: harmonic variations. Substitute dominant chords
Major blues in C: harmonic variations. Passing diminished chords
Major blues in C: harmonic variations. Modal interchange
Major blues in C: harmonic variations. Blues For Alice
Major blues in C: building melodic lines II
Major blues in C: building melodic lines III
How to compose a blues riff I
How to compose a blues riff II
How to compose a blues riff I -template-
8 bar blues: harmonic paradigm
16 bar blues: harmonic paradigm
Blues with bridge: harmonic paradigm
Jazz language: blue note
Basic syncopated rhythmic patterns in jazz blues melodies
Blues in all keys -template-
The Jazz Blues Workbook – Listening Guide I
Listening Guide I – Forms
Listening Guide I – Keys
The Jazz Blues Workbook – Listening Guide II
The Jazz Blues Workbook – Listening Guide III
The Jazz Blues Workbook – Listening Guide IV
Notes I
Notes II
Download now the Jazz Blues Workbook and start playing the blues with the authentic jazz sound.
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